| Critic’s Reviews "Ron De Jesus Dance featuring the sensual and exciting choreograpy of it's director....The highly charged theatrical, in your face, quality dominated Mr.De Jesus choreography and made for a tefferic evening of powerhouse-and powerful- work". -Joe Benjamin TheaterScene.net "Here we met each of the dancers- strong assemble of unique personalties- and were swept into Ron's boldly comtemporary world and his demanding, inventive style of partnering. Ron De Jesus style coalesced: fast pacing, risky partnering motifs, sexy undercurrents, antagonisms, passion. ~Philp Gardner Oberon's Grove "Finally, Ron De Jesus simply let it all rip "one side of something many sided...," another sprawling trio...,but that more simply luxuriated in the pleasures of male energy and bodies. (RDJ Ballet) -Jennifer Dunning, New York Times "Mr. De Jesus...[has] an innate personal charisma that elevates a character or choreography to something beyond itself." "...performing like that is to be sought out and cherished." -Jennifer Dunning, New York Times "Ron De Jesus...a first- rate dancer on Broadway here in New York." -Robert Gottlieb, New York Observer “...he is a commanding presence of affecting modesty, performing this star turn with impressive subtlety.” -Jennifer Dunning, New York Times “...it’s Ron De Jesus whose brief solo boasts breathtaking command and daring.” -Sid Smith, Chicago Tribune “Ron De Jesus, one of the most mesmerizing male dancers in this splendid troupe.” -Eileen Sondak, Los Angeles Times “...Ron De Jesus, who executed its sharp, flowing movements flawlessly. Of its kind, perfection.” “Ron De Jesus,[et al.] were outstanding.” -Karen Campbell, Boston Globe “No one dances with the style and authority of Ron De Jesus...” -Sid Smith, Chicago Tribune “[De Jesus] gave the audience a prodigious display of moving choreography. [He] has emerged as a fantastic dancer and an innovative choreographer.” -Earl Calloway, Chicago Defender “But the most thrilling work on the program is Ron De Jesus’ ‘Prey’, a seductive piece of choreographic aggression that implies, with death-defying maneuvers, rape and pillage.” -Lucia Mauro, Chicago Tribune “... ‘Prey,’ extended jazz into the realm of savagely athletic opera as seven dancers claimed their territory like prowling animals on stage.” -Lucia Mauro, Chicago Tribune “...’Shakti,’ an intensely physical and engrossing orgy of fluid extensions performed by seemingly jointless dancers...” -Donna Perlmutter, Los Angeles Times “[De Jesus] has emerged as a powerhouse choreographic talent in recent seasons....’The Last 12 Minutes’ is simply sensational...” -Hedy Weiss Chicago Sun Times “A mesmerizing work enveloped in the creative process, it seemed to unfold before our eyes...It was the most psychologically complex and strongly executed piece on the program...” -Lucia Mauro, Chicago Tribune "La LIorona" Natasha Tabandera as La LIorona, Original Choregraphy Ron De Jesus,"Tabandera does some ghostly singing and dancing to music by Cindy O'Connor." -Variety |